They were called Easy Company-but their mission was never easy. Immortalized as the Band of Brothers, they suffered 150% casualties while liberating Europe-an unparalleled record of bravery under fire. Dick Winters was their commander-"the best combat leader in World War II" to his men. This is his story-told in his own words for the first time. On D-Day, Dick Winters parach...(展开全部)

Now in paperback! The New York Times bestseller and war memoir from the commander of the legendary Band of Brothers––now with a new preface from Dick Winters. They were called Easy Company—but their mission was never easy. Immortalized as the Band of Brothers, they suffered 150% casualties while liberating Europe—an unparalleled record of bravery under fire. Winner of the ...(展开全部)

伊恩‧歐佛頓 Iain Overton 畢業於劍橋大學唐寧學院，在倫敦的慈善機構「對武裝暴力採取行動」(Action on Armed Violence)擔任主席，並於劍橋大學擔任客座講師，同時也是調查記者兼戰地記者，於全世界超過八十國工作，在柬埔寨、伊拉克和索馬利亞等殺戮地區報導新聞。他也以製片的身分，為BBC、ITN和Al Jazeera等導演紀錄片，並且和《衛報》(the Guardian)、《獨立報》(the Independent)、《周日時報》(Sunday Times)等合作。他的報導曾榮獲皮博迪獎(Peabody Award)，兩度獲得國際特赦組織獎(Amnesty Award)以及一座英國電影和電視藝術學院蘇格蘭獎(BAFTA Scotland)。他成立調查新聞報導局(Bureau of Investigative Journali...(展开全部)

A news-breaking account of the global stock market's subterranean battles, Dark Pools portrays the rise of the "bots"- artificially intelligent systems that execute trades in milliseconds and use the cover of darkness to out-maneuver the humans who've created them. In the beginning was Josh Levine, an idealistic programming genius who dreamed of wresting control of the market f...(展开全部)

A news-breaking account of the global stock market's subterranean battles, Dark Pools portrays the rise of the "bots"- artificially intelligent systems that execute trades in milliseconds and use the cover of darkness to out-maneuver the humans who've created them. In the beginning was Josh Levine, an idealistic programming genius who dreamed of wresting control of the market f...(展开全部)

刘易斯·芒福德（Lewis Mumford，1895—1990年）是《日晷》杂志的副总编辑，社会学评论（伦敦）的代理主编以及美国文学年报的几位主编之一。他于1935年至1937年担任纽约市高等教育董事会董事，1938年至1944年担任美国教育理事会理事。芒福德先生还是美国哲学学会会员和美国艺术与科学院院士。

■作者簡介 中村文則 中村文則 Nakamura Fuminori 本名軸見文則，1977年生於日本愛知縣，2000年從福島大學應用社會學系畢業後開始全心投入創作。2002年，以《槍》一書獲得新潮社新人賞受賞，也是他已作家身分開始活躍的開端，這本處女作同時也入圍了第128回的芥川賞。2004年，以《遮光》一書獲得野間文藝新人賞、第129回的芥川賞入圍作品；2005年，以《泥土裡的孩子》終獲芥川賞，當時中村文則28歲，被譽為「純文學界最受期待的新人」；在2010年，中村自認、同時也被大多書評家認為是代表作的《掏摸》獲得第4回大江健三郎賞，獲得大江賞對中村來說意義非凡，因為他曾公開地多次表示「大江健三郎是我最尊敬的人」。 中村的作品定位於追求純文學深度，同時以易讀的文體和豐富的故事性表現，「希望今後能寫出前所未見的、同時表現娛樂性和文學性的小說」。寫作風...(展开全部)

The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of mo...(展开全部)

The Kunstkammer was a programmatic display of art and oddities amassed by wealthy Europeans during the sixteenth to the eighteenth centuries. These nascent museums reflected the ambitions of such thinkers as Descartes, Locke, and Kepler to unite the forces of nature with art and technology. Bredekamp advances a radical view that the baroque Kunstkammer is also the nucleus of mo...(展开全部)